I’ve started work on a new self portrait, I’m trying to get a looser feeling to the brushstrokes with this one. There’s lots more to do on it, but you can get a rough idea of where it’s going. :)
Thursday, 10 June 2010
Self Portrait 01
I’ve started work on a new self portrait, I’m trying to get a looser feeling to the brushstrokes with this one. There’s lots more to do on it, but you can get a rough idea of where it’s going. :)
Sunday, 16 May 2010
Artweeks 2010 (2)

Here’s the latest swirling painting “Bartholomew School”. It’ll be on show in the Bartholomew Rooms from Sat 22nd May to Mon 31st May 2010 as part of the Eynsham Art Group Spring exhibition.
Several other pieces (including the Primary School painting) are on show at the same time at Arts Inc as part of the Artsweeks exhibition :)
Monday, 26 April 2010
Artweeks 2010
I’ll be exhibiting some paintings at Arts Inc as part of their Artweeks 2010 exhibition. 22nd – 31st May 2010. They’ll be a dozen fabulous artists exhibiting a variety of works, so pop in and take a look if you get the chance. :)
Tuesday, 23 February 2010
The Girl Who Could Read Flowers - Carving
Friday, 12 February 2010
Double/Triple Pears - Finished



Here are the finished Floating Pear paintings. I’ve reworked the stone shelves and glazed the pears, adding in a little more shading than the original single pears, so these ones pop out from the canvas more. It’s amazing how you start seeing different relationships between the pears in these multiple ones, they seem to have taken on a life of their own :)
Monday, 25 January 2010
Double/Triple Pears – First colour pass

I did a first colour pass on the pears last week, haven’t had a chance to blog until now. They’ll need a little tweaking here and there before they’re ready for glazing, but all in all they’re coming along nicely :)
Saturday, 16 January 2010
The Girl Who Could Read Flowers - first block
Here’s the next lino design. It’s called “The girl who could read flowers”. I drew the original design for this way back in 2007 and it got put to one side because of the number of colours I was going to need to print. I’ve reworked it a little and think I can get the effect I want in 5 prints so I’ve transferred the design onto a new block and it’s a now all ready to be carved.
Thursday, 14 January 2010
In The Forest
Here’s a final print. Lots of detail in this one so it took a long time to carve, but I think the end result has been worth it…I now find myself wanting to order some much larger lino blocks and make things even more complex lol ;) I think I’ll do a few more at this scale first though. Would be nice to get a small set together for Artweeks…Anyway, hopefully this is an image people will find both beautiful and curious…make of it what you will :)
Sunday, 10 January 2010
In The Forest - first colour print
Friday, 8 January 2010
In The Forest - test print
Sunday, 27 December 2009
Drawing someone drawing someone...
Here’s a drawing I did as a Christmas present for Susan. It’s her daughter, who upon seeing it said, she liked it, but I hadn’t finished it as it wasn’t coloured in…which made me laugh, lol :) Children can be tough critics ;)I hadn’t done a detailed drawing like this for a while, so it was really enjoyable. Think I may do a little series along similar lines in 2010.
Friday, 25 December 2009
Thursday, 17 December 2009
Single Pears all finished


Pear Floating Above Stone Shelf…numbers 1, 2 and 3… I know you’ve seen lots of these, but I thought I’d post the finished versions of them all anyway :)
Sunday, 13 December 2009
Glazing Pears
Have been rather busy with some freelance work and making things for Christmas of late, so not much work to blog here I’m afraid. However, I finished off the single pears this afternoon so I thought I’d take a few photos of how I do the glazing stage.

Here I’ve got the four colours I want to glaze with and a small pot of oil. Each of the colours is transparent, not opaque (if it doesn’t tell you on the tube you can look up the brand you’re using on the internet, or it’ll usually tell you in an art materials catalogue). To start I’ve mixed each of the colours with a little of the oil…

Next I paint over the area I want to glaze with a thin layer of pure oil, this helps blending and gives you an even finish as you work.

Not brilliantly clear this photo (and sorry it’s a different pear…) but here I’ve just dabbed on the colours I want quite crudely, a spot here and there. Then using a clean dry brush you lightly pull the paint around on the surface, working around the spots of different colour you’ve added. Clean and dry the brush VERY frequently to avoid turning the colours to mud, but don’t be afraid of mixing them in certain areas. In the case of these pears taking the green into the red gave a lovely bruised effect on the skin.

A final pear with the glaze all blended together…In this instance I’m just using one layer of glazing, but you can use as many as you like. The only things to remember are…let each layer dry fully before painting the next, and use the paint thinly…the whole point is to trap the pigment within the oil and get a magical optical blending of colour…think of the way light travels through a piece of amber and aim for that :)

Here I’ve got the four colours I want to glaze with and a small pot of oil. Each of the colours is transparent, not opaque (if it doesn’t tell you on the tube you can look up the brand you’re using on the internet, or it’ll usually tell you in an art materials catalogue). To start I’ve mixed each of the colours with a little of the oil…

Next I paint over the area I want to glaze with a thin layer of pure oil, this helps blending and gives you an even finish as you work.

Not brilliantly clear this photo (and sorry it’s a different pear…) but here I’ve just dabbed on the colours I want quite crudely, a spot here and there. Then using a clean dry brush you lightly pull the paint around on the surface, working around the spots of different colour you’ve added. Clean and dry the brush VERY frequently to avoid turning the colours to mud, but don’t be afraid of mixing them in certain areas. In the case of these pears taking the green into the red gave a lovely bruised effect on the skin.

A final pear with the glaze all blended together…In this instance I’m just using one layer of glazing, but you can use as many as you like. The only things to remember are…let each layer dry fully before painting the next, and use the paint thinly…the whole point is to trap the pigment within the oil and get a magical optical blending of colour…think of the way light travels through a piece of amber and aim for that :)
Friday, 4 December 2009
A Pears Progress…

A busy day today (actually, yesterday now…), I decided to do a little more work on the three single pears, just a couple of hours building up the colours further and adding some highlights, I want them to have a jewel like quality so I think this was time well spent…followed that with some work on a drawing I’m doing for a Christmas present (So you’ll have to wait to see that blogged)…Then moved onto the double/triple pears, added some initial modelling to the pears themselves and then started painting the shelves…2 meters of stone shelf edge takes a while to paint lol…
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